Category Archives: Games

#36: (Something clever about losing stuff)

Believe it or not, I am taking a fairly different approach to the current work load of preparing for Hot Pursuit’s relaunch than I did for the initial launch. This new approach will even affect my blog. And it all started a couple of weeks after Hot Pursuit’s project ended.

So, let’s jump back to the middle of March. The clock continued to tick but my total funding… not so much. I was surprisingly not devastated when it died. Afterall, this was my first project and the tiny game made balancing the number of backers at reasonable backer levels against the total shipping and printing costs difficult. Well, at the end of the project I suddenly found myself with some “extra” time to think and do stuff. During this opportunity to catch my breath, I reviewed old blog posts and looked through my idea notebooks as I contemplated participating in a new design contest. That is when I found my old friend, A Dragon Show for the King.

When I last left ADSftK, I was charting and reworking all of the figures and some of the abilities in order to give players a fighting chance of actually finishing the game. Well, my friend Craig was showing off his new game idea, but I wanted to play my game, too. As I sat down to update my prototype, my blood was pumping; my mind was racing with ideas (in a good way); I was looking forward to the busy-work… heck, joy was returning to my life. It turns out, though, I had already worked out all of the new math and redid most of the cards (up to 4 players worth) back in February of 2015. Which means that I had not touched this game (which I was genuinely excited to publish someday) for over a year.

THAT is where I found the problem. THAT is when I found this thing that I didn’t even know I had lost: joy.

The reason I’ve been designing for 3 years despite basically no public/professional attention is because I get a great sense of fulfillment in the work. However, for nearly a year, preparing Hot Pursuit for Kickstarter is all I allowed myself to think about. For 3 months, ALL of my free-time was dedicated to Hot Pursuit and it’s Kickstarter (the page, the print / ship quotes, the rules, the convention, etc.). For quite some time there, if I wasn’t working, sleeping, or eating, I was working on Hot Pursuit. The work didn’t bother me because I deemed it necessary. I am dedicated to getting this business off the ground. If Jamey Stegmaier and Colby Dauch can do it, so can I!

Unfortunately, in that race to launch I managed to get too busy; too focused; too “productive”. I was honestly starting to feel the pangs of doubt, frustration, and futility – until I returned to game design. All of a sudden, the future looked bright! I had hope again. My insurmountable, soul-crushing problems were gone.

So, now I have a new plan. Instead of doing EVERYTHING I POSSIBLY CAN TO LAUNCH ASAP (!!!), I am going to work responsibly and not launch until I am completely ready. More importantly, I am going to continue designing on the side. This will actually give me an opportunity to try something I’ve wanted to do for over a year. Very soon, I’ll begin a “Design Diary” segment where I share with you my thought process of working through a game from day one.

While I am stoked to finally give the design diary a try, there is a catch. You see, as a backer, I hate getting project updates which talk about the designer’s next game. When I am counting the days waiting for your current game to arrive, talking about the next project just sounds like you begging for more money and I hate it. Therefore, my Kickstarter projects will not ever refer to other designs I am working on. I will only be discussing the new games HERE, and only if I also have a Lessons Learned post for the same week. I don’t want to “brag” at you when you are likely coming here for those “lessons”.

Anywho, that’s it for now. Have you ever lost something important without realizing it? Ever get too involved in a big project? Tell me about it 😀

#34: Get the Word Out (KS Lesson #2)

Here we are: my second lesson on things I should and could have done better with this campaign.  Last time, I really only spoke about my reactions to the launch. This time, however, we get down and dirty with decisions I made (or didn’t) and what I will do differently next time.

Marketing sucks. Marketing is not advertising; although advertising (short-term) is part of a marketing plan. Marketing is promoting and selling products, services, or yourself – in other words, not short-term. Marketing, unfortunately, is completely crucial to the success of a business and not even a little bit easy for those of us who are more introverted. And marketing is where I failed miserably.

If you look at my Kickstarter profile, you’ll see that I’ve backed a lot of projects – 3 of those I backed purely because the creators got me all excited with posts on Twitter. I have also spent most of 3 years researching how to successfully launch a publishing business through crowdfunding. Therefore, I have seen a lot of successes. I already know (and you should, too) that I need to talk all over social media about tests and development; share pictures as I hand build prototypes, play games at conventions, game stores, and UnPub style events, and update / upgrade the illustrations and graphic design; and build the Kickstarter page early so that I can get feedback and allow people to build/share excitement before it launches.

Unfortunately, I allowed myself to run into a STUPID mental-block. Hot Pursuit has very little art and basically no graphic design (4 different illustrations and no text or icons), and it was developed in a very short time. Because I didn’t have all that early stuff to share, I stopped. Instead of looking for alternatives / solutions, I trusted advertising, friends, and a good product to carry my campaign. Well, hope and good intentions don’t go far in the fickle world of crowdfunding.

Here’s what I’m doing next time:

  • Share More – I’ve mentioned this before pertaining to the blog itself. I’m still learning how to talk more. Fortunately, this blog is not just a reason to put myself out there but a good method. Game design is something I LOVE talking about. I could go all stinking day. As I share more here, I’m building the skills and habits necessary to share more about my games, too.
  • Advertise Early – Dumb mistake here which mostly comes down to a lack of actionable research. Most project creators I follow spend the big advertising bucks mid to late campaign to counter the mid-campaign slump and magnify the big boost that typically comes in the last 48 hours. Well, I only recently figured out that several great advertising avenues are really affordable. Absurdly affordable. Next time, to help build excitement/interest and offset my really small social media reach, I will start advertising BEFORE the campaign.
  • More Reviews – My initial plan didn’t involve the avalanche of reviews that is totally possible and often present on first-time creator projects. Mostly, I didn’t want to bother reviewers I don’t actually follow. Plus, reviews cost money (between printing and mailing, the 2 reviews I currently have cost roughly $250) and even really high profile reviewers don’t actually sell a lot of games. They do help but it’s not typically a direct results kind of thing. I had forgotten about a few important aspects of reviews, though. They help build interest, validate the quality of the game, and (most importantly) give me something to share. Best of all, that last part is an opportunity to help myself and them. As you can probably guess, I’ll be making use of more reviews in the future.
  • Launch Party – I didn’t throw one. I don’t have a large group of friends, a big or busy local game store, or, really, any experience in throwing parties. A common alternative is a Facebook “party”. Again, I have a fairly small social reach. Basically, I had no good plan until Tuesday, when I had the opportunity to chat with Mr. Patio at The Board of Games. His is one of many organizations around the country which organize game groups in bigger cities and offer marketing / advertising services. What I should have done is take advantage of their hosting services. Therefore, next time, I’ll coordinate with them to advertise and feature my game at one of their bigger game nights and invite everyone I can to my launch party. Remember: it’s okay to ask for help 😉
  • Videos – This one I knew was important before I started but was unable to pull together the resources to make it happen. Videos showcasing your gameplay are always important. Unfortunately, my less than solid plans fell through. With so very many new projects launching on Kickstarter every day, there is no reason for backers to assume I’m not just another idiot. Hot Pursuit sounds fairly gimmicky, looks too simple, and needs to be played to be believed by average gamers. That coupled with the fact that most people would rather watch a video than read some rules means I painted myself into a stupid corner. I KNOW that Hot Pursuit is a great game – a lot of fun, very portable, and deceptively difficult. This isn’t my first design and I’ve done my research and tested the game. Unfortunately, it isn’t easy to see the fun without playing. Therefore, I must and, going forward, will always make sure I have videos ready upon launch to help others see what I see.
  • Written Fiction – I don’t consider this a mistake; instead, a missed opportunity. I have plans for fiction written around a much bigger series of Sci-fi games I’d like to publish later on down the line. However, I failed to consider the potential for this particular game. Writings which bring to life the 4 different stories in Hot Pursuit would be fun to write and great opportunities for sharing. Plus, some people actually enjoy reading that sort of thing.

Understand that this is not written from a place of failure or with a defeated heart. These are simply things fresh in my mind right now. I deliberately launched Hot Pursuit first and at this time of year. I have high hopes of funding, still, but this project is both a launching point and a chance to learn. Now, what do you think? What else could I have done to better prepare for launch?

#33: Locomotion

As promised, to celebrate my growing Kickstarter campaign I am continuing to share lessons learned from and general thoughts on Hot Pursuit. This will be a discussion about an aspect of game play that I obtusely ignored. Not intentionally – it just wasn’t something I thought much about.

Take a moment to think about 2 of your favorite games which feel the most dissimilar. So, not a couple of drafting games (which I love). Make sure they are actually different. For example, Coup and Love Letter.

Yes, they are both very short, inexpensive card games featuring player elimination. Sure, they both involve a level of bluffing and deduction (what your opponent is hiding is important information). This is where the “obtuse” part comes in. It took a year of game design for me to figure this out: Love Letter’s cards force the game to progress and end; Coup relies on the players to progress the game (the cards are simply tools).

You may be thinking, “Duh, Derik.” If not, bless you. Here’s the break down:

  • In Love Letter, the player’s turn consists of drawing one card and discarding one card for a stated effect. The game ends when there are no cards to draw or all but one player is eliminated.  The key here is those cards and effects. They are structured in a way that forces conflict. You see, players MUST discard a card and use it’s effect. Those effects all revolve around eliminating a player or gathering information in order to eventually eliminate a player. In other words, players are moved toward the end of the game by force and they can do nothing to fight it.
  • In Coup, the cards themselves have very little affect on the actual game. It really comes down to how good you are at bluffing, or how badly you can bluff when you are actually telling the truth. That’s it. That’s the crux. Sure, there is some money collection, and money is used to pay for murd… influence, but the speed with which you are able to collect said money still comes down to your bluffs. So, if everyone plays poorly and only collects “Income” (1 coin), the game rules will force an end in (10 x #Players) + (4 x #Players) – 1 turns. A.K.A. a real long time.

By now you’re probably thinking, “Why’s that matter?” Well, here’s why:

Hot Pursuit is very much a player driven game (like Coup). The game will never force itself into an end-state because the cards do nothing in and of themselves. The only way the game ends is if someone is able to wrangle the 2 (or 3, depending on story) “Key” cards (Blue, Pink, or Red) into their hand, facing them. It takes memory, deduction, and a little deception – A.K.A. a lot of work. This isn’t necessarily a problem, though. The fact that almost every single new player HORDES a Key card when they find one does make it a serious problem. You see, Hot Pursuit was originally a 3 – 10 player free-for-all. With everyone out for themselves, and the vast majority of them hording at every opportunity, games go NO WHERE in a really long, painful time. That’s a great illustration of why Love Letter is so easy to teach: even playing poorly with no direction, the game still ends very quickly and has a definite winner.

One of the toughest pieces of feedback I received (and it was only twice) was that the early game was boring because it didn’t go anywhere. At the time, I couldn’t figure out what they were talking about. When I played with experienced players, the games were tough, tense, and terrific (heh). But, that was the key. New players wanted the game to tell them what to do – they wanted the cards to do something. Most people couldn’t wrap their head around a game-plan for acquiring both Key cards because they couldn’t bear to give up the one they knew about.

Coup game a clear reason for your action every turn: to gain enough money to eliminate the other players before they eliminate you. Ultimately, Hot Pursuit stalled because no one had a clear path to victory. Sure, get the 2 cards, but how?  –  See that? There was no direction to the game. I couldn’t see this problem until I sat down at a convention with game designers/publishers and a few hardcore gamers. We stalled. Badly enough that everyone started throwing out ideas on how to fix it. A lot of thoughts revolved around adding card abilities (making it component driven), which I refused to do because it violated a primary design goal. Then, Brent Critchfield suggested I make it cooperative. Well, that won’t work because it’ll take maybe 3 turns to win. “Okay. How about cooperative with a traitor working against the rest?”

BAM!

Ladies and Gentlemen, we have a winner! Some clean-up and story writing still needed to be added in, but all of a sudden players had a distinct goal to reach for. Teaching is still a little rough because of the 2 goals and counter-intuitive play (it’s HARD not looking at the card you are being handed), but everyone gets it by the end of their first game. Better yet, they want a do-over when they lose and they feel smart when they win. And they should – it ain’t easy!

Funny enough, this same lesson applies to the solitaire version of Hot Pursuit. It had a reasonable goal (get the Blue, Pink, and Red cards together, in your hand, facing you) and an AI to continuously mess up what you know about card positions, but it would never end until you either solved the puzzle or gave up and let the “bad guys” win. Until we added a timer. Just a stack of extra Yellow “crowd” cards made all the difference. Now, there was a clear and ominous goal: collect tie the paper trail (Red Document) to the Corrupt Commissioner and Dirty Detective before they are able to wash away their sins. As the crowd grew from the timer you also got this great visual of the Corrupt Commissioner making the evidence disappear forever into the city.

I really love player driven games for just that reason – they are typically tough and have high social interactivity. But, now I know that I have to make sure my player driven games have a clear direction – a relatable  goal.

What about you? What are 2 of your favorite dissimilar games? What makes them different and how is it important to your enjoyment?

#32: Day 1 Down; 29 to Go

Good morning. This is a monumental day. I have waited a year and a half for today. Many, many hours of research, planning, saving and spending, 32 blog posts, countless smiles and hand shakes,  and innumerable prayers have gone out in preparation for today. What day is it?

THE DAY AFTER I LAUNCHED MY FIRST KICKSTARTER CAMPAIGN!

It’s a pretty amazing thing. I’m not funded, yet. I still don’t know everything there is to know. But, I finally took this particular first-step. No matter how much I studied, asked, planned, and prepared, some things you just can never know until you FINALLY launch out into the real world and watch that rocket fly. Like always, I’m excited to share with you what I figured out – just yesterday 😉

#1: The spam is incredible.
Holy smokes the spam. Day 1 and I have at least as many spam messages through Kickstarter and personal emails as I do backers. The thing I find most surprising about the spam, though, is the way they start by wishing me success but apologizing for not having the money to back my project. I have a $1 tier. Even my slightly disinterested co-worker can afford to back my project. I would actually have read their emails and weighted their offers if they hadn’t started by telling me they couldn’t invest $1 in a business partnership.

#2: It will be easier than you expect.
This one also caught me by surprise. Getting ready for yesterday was one of the scariest endeavors of my life. Some nights, the thought of launching would make me shake with fear. I would get sick researching shipping and printing costs because I dreaded the idea of anyone feeling cheated by my product.  Ugh! I almost delayed my launch extra days. That morning, though, all the pieces fell into place just as I planned. I was about to go to bed and wait another day. But I looked over the page again and came to the realization that I had already done everything. I know I made a few mistakes, but another day would not have changed anything. Ever since then, it’s been like driving on a road trip. I know where I’m headed. I know how to get there. The journey has started. If I keep following the signs, making the appropriate stops for food and gas, and stay alert, I will arrive at my dream. Now, I’m not saying it’s a struggle to stay awake because I’m so bored. Just that it isn’t the nightmare that my fear-racked mind had built it up to be. Don’t forget that you have friends. Those friends would love to help you out if only you would ask 😀

#3: You will cry.
Holy cow the people! We all hope our friends and family will support us. Every single person I have asked for help has jumped on board. It’s amazing. I don’t know who my first backer is. In fact, I don’t recognize 5 out of my first 7 backers. It’s crazy! The outpouring of support has been unbelievable! Will it keep up? I can only hope. I do know for certain, though, that I really wish I could hug every single backer for believing in me and my game. Even now I’m tearing up. With 103 backed projects, I never imagined I could be making someone else feel like this. You should know right now, every time you back a project, you are making someone cry 😉

#4: Stop planning and start preparing. 
I hope that if you write a blog offering advice and sharing lessons learned, you’ll actually listen to yourself. Despite my #1 lesson (Just do Something), roughly half of my anxiety in getting ready for launch has resulted in my planning – only planning. This was my biggest mistake. I will probably mention it in every single “Lesson Learned” regarding Kickstarter because it was such a debilitating, stupid, and expensive mistake. Plenty of reasonable sounding excuses kept me from building my page when I could have and gave me pause in asking for quotes from printers and shippers. None of them were good enough, though. All of them hurt me in the long run. Are you thinking about running a Kickstarter campaign, too? Stop planning and start preparing! 

That’s all for now. Feel free to swing by the campaign, checkout how I’m handling the updates, see how I structured my tiers, and hold your breath with me as I wait to see if I properly budgeted my shipping costs. Have a great day!

#31: Perception (Set in Stone)

With the launch of my first ever Kickstarter campaign looming (Febuary 1st), I figured now would be a good time to start listing all the crazy things I’ve learned in this mad race (because the amount of planning, preparation, and work needed is really starting to feel like a dash to the finish).  To that end, I think my first lesson will be a more universal one.

To date, Hot Pursuit is the closest I have come to taking a game from concept to final, published product. Although I’ve printed “real” on-demand copies of other games and even spent money on art, this is the first time I’ve gotten my game into the hands of other people and sought out 3rd party reviews. Therefore, this particular game has seen many different “coverings” or art styles, a few different methods of play, quite a few different boxes, and has even been to 2 conventions and a 1 day event.

Through all of those different appearances and various players, I think my most surprising lesson has been that perception matters.

Now, this has little to do with the fact that a cohesive story or setting makes the game easier to teach or that you’ll get more people to try prototypes with some kind of art (instead of hand-writing on index cards). Neither does this have to do with getting testers or future customers to take you seriously. While I completely advocate doing everything in your power to respect the precious time given to you by testers, these aren’t the topics I’m talking about, today.

What I discovered, quite by accident, is that the kind of feedback you receive and how people talk about your game depends a lot on how players perceive your game. While the rest of the post operates on a generalization, understand that I am working on the premise of mostly unsolicited feedback from NEW players. Here are the 3 main ways that players see the games they are trying out:

1 – Early prototype (Proof of Concept)
2 – Working prototype
3 – “Finished” product

This list is based purely on how people react to playing my game and the way they talk about it afterwards. But what does it mean?

Well, when the game is clearly an early prototype, new players tend to treat the game as an experiment – “will this thing work?” As such, without specific prompting, they tend to talk mostly about whether or not it worked. Sometimes, they will even feel strongly enough to tell you what specifically did or did not work. This step is pretty awful on testers. They aren’t getting much out of it and have plenty of other things they could be having fun with. So, try not to abuse testers by spending a lot of time with that hot mess in front of them.

Finished” product means that you have commissioned most, if not all, of the art and have a great prototype for people to play.  It may not actually be the FINAL product, but it should look like it and be discussed as if it is. My absolute favorite experience in this step was at this past year’s Christmas and New Year’s parties. At both parties I and/or my wife told the testers that this was “my” game. Well, most of us arrived with several games because the majority of the day was being spent playing games (also known as heaven). Apparently, they didn’t get our point. At both parties, we played multiple games. Each party surprised me with the people who “got it” and ran the table. It was great! Each session ended with a quick – “That was neat. Where’d you get it?” It’s MY game – I made it 😀 (it’s tough not to follow those words with that face). “Oh!” Yeah, I’ll be seeking funding for an actual print run in February. “Wow. I’d totally buy that!”

See how the communication was about the fun had and buying the game? Yup, that’s what I needed to hear – if they liked it and whether they would buy it (even with the current art and graphic design).

Working prototype. In some ways, I really hate this step, and it all comes down to how players perceive which step you are at. You see, “working prototype” is when your game mostly works. Mostly. Therefore, you are obviously seeking to make it better. Right? God, I hope so because the only feedback you are going to get will be things to add to make it awesome. Don’t ever think you are just going to test out this one idea. Early in development, this is fantastic. 3 of my favorite games in development wouldn’t really be a game if not for testers throwing ideas at me. A word of warning – I am getting pretty good at just saying “Sure!” instead of explaining ANY of what is actually going through my mind.

“How can you hate that?” you are probably asking yourself. Well, let me give you another story from the New Year’s party. I took Into a New World with me. I commissioned gorgeous art for the tiles and mocked up a pretty box. This WAS going to be Lagniappe’s first game until Willis and I came up with Hot Pursuit. I had the opportunity to play it with a couple of guys who didn’t quite have enough time to play chess. The first game was a learning experience. The second game was awesome. One of the guys was looking over my box trying to figure out who on earth made it. “Is this from a Japanese designer?” he asked. He seemed to be really enjoying working through strategies and probabilities. We had some pretty exciting discussions about the gameplay, components, etc. 😀 Unfortunately, after he discovered it was MY design, the conversation quickly turned. The next 20 minutes was him giving me his thoughts on box size / construction, component sourcing, and finding manufacturers via his favorite websites.

He only spent all that time giving me advice because he was interested and wanted to help. Which is great! Immensely appreciated. However, I have already spent over a year researching and planning all of that. The moment people discover that the game they just tried out is a prototype, they immediately back up to the concept of a working prototype – something which can and probably should be “fixed”. Surprisingly, it is often more difficult for me to accept those “fixes” on a “finished” game than when it’s brutally honest feedback on a broken game. Ugh.

Please, keep in mind that this is an observation – not a complaint. Hopefully, I can save you from some of the stress I’ve experienced with these unexpected reactions. That being said, there are steps you can take to ensure that the table talk doesn’t veer off point. Obviously, you can try controlling the conversation by asking pointed questions and using feedback forms. If you are like me and you prefer a more natural, organic conversation, then you’ll need to control their perception. Use a professional, finished looking prototype, be candid about the tremendous amount of work and research you’ve already put in, and be careful with your words – talk about how excited you are to finally publish, instead of how excited you are to finish. If you can give the impression that your design is set in stone, then new players are more inclined to talk about how much they enjoyed the game, if they would buy it, and how much they think it’s worth.

What do you think? How do you like to carry the conversation with new players?

#20: Where the Bonus Began (Part 3)

I immediately grabbed for any paper I could find and furiously scribbled notes from the dream. I then told my wife and a few friends about it – I would NOT be forgetting this dream. Bringing the game from that dream into reality became a passion.

I had never made a game before – hadn’t even tried. I know many designers had at least made custom rules or custom characters for games they enjoyed. Not me. I’m a rule follower. That was all crazy stuff for crazy people! Admittedly, if it weren’t for Poker-Friend’s suggestions a month or two before, I would not even had considered making Top-Deck. Although, the original plan had just been to do the design myself, have some friends do a little art, and print a copy or two for fun.

My job, at the time, involved a lot of time in front of a computer, so I started searching for ways to print. I had a remarkably difficult time. Real printers require large orders. Some playing card companies would do small runs, but on quality card stock. My friends didn’t know much, either. It is surprising how difficult it is to get into printing when you know nothing about the industry. I had actually found The Game Crafter in my initial searches and dismissed them because I didn’t fully understand what good they would be.

Helpful blogs about game design, like Hyperbole and Stonemaier, were much easier to find. Reading advice and playing prototypes of Top-Deck became a regular part of my nights at work.  Eventually, someone recommended The Game Crafter.com for printing demo copies, and forever changed my testing. Those early days of typing up new cards in MS Paint and trying them out with a coworker kept me excited in my new endeavor. Being able to print professional looking games through The Game Crafter gave me confidence in showing off prototypes. Following Mr. Stegmaier’s journey through his Kickstarter Lessons blog helped me to see that even a little guy like me, with enough drive, a good game, and smart business practices could make a career out of this tabletop game thing I was loving so much.

I also have to give credit to Colby Dauch. I learned about his company, Plaid Hat Games, through an ad for Mice and Mystics (which is fantastic). I jumped on the pre-order band-wagon and emailed the company asking what size card sleeves I would need. I was blown away when Mr. Dauch personally responded with an email. You see, due to the professional looking website and several high quality, well received games, I had this impression of Plaid Hat as being a big, long time successful company. Therefore, his response simply improved my opinion of the company.

Recently, I hit a slow spot. I’ve been developing games for a year-and-a-half, now, but still haven’t released anything yet. I have several exciting ideas in development, and although Top-Deck is mechanically ready, it still needs a LOT of art (and art ain’t cheap). It felt like I was losing the battle. Then, I finally began listening to the Plaid Hat Podcast. Now, I don’t generally care too much about origin stories, but these guys really opened my eyes. While Mr. Stegmaier helped me see that I could actually make a business and become a publisher of crowdfunded independent games, it was Mr. Dauch’s story which gave me hope of succeeding in the way that I dreamed.

THAT is where Lagniappe Games comes from. A guy who likes challenges and wants to be self-employed had a dream and pursued it. He found some great advice, help, and examples along the way. Now, he runs a company which is not just focused on fun, quality games, but a company concerned about the customer. I chose the name Lagniappe because I want this to be a generous, even charitable, company. Yes, we have to make money to be self-sustaining, but this experience is about more than that – it’s about building relationships with customers, indie designers, and other small publishers.

Thank you so much for taking the time to read this little origin story of mine. God willing, I’ll keep sharing the trials and lessons of this journey with you every week and, hopefully soon, even share some games with you :-)

*To read the rest of this story, click part one or part two.

#18: Where the Bonus Began (Part 2)

I walked into a game store which seemed vaguely familiar. The place was packed with people buying, showing off goody bags, talking, and playing with a palpable excitement. As I pressed through the crowd, I had to duck around vertical banners for a new game that I didn’t quite recognize. On the tables were little stands advertising the same game. They featured images of post-apocalyptic characters and proclaimed “Now available”. Looks like I walked in on a launch party! Gamers were laughing all around me, shuffling cards, nudging friends, and having a great time.

A large crowd at the back of the store caught my attention, so I moved that way. As I drew near, I could see an opening centered around 2 people facing off across a table. Listening to the copious side-talk, cheering, and jeering, it was clear this was an important game. “This is for the championship!” Oh.
Wasteland
On my left side was a wiry man confident that he, with superior skills, strategy, and sharp tongue, had the game in hand already. His serious demeanor was echoed by the cards in his deck – they looked like pages out of a “Mad Max” comic book. To my right was a heftier young gamer who seemed happy enough just to be there. A whimsical, lighthearted nature was made overt by his big smile and the colorful images of little anime-style monsters on his deck. This truly was a showdown – between a killer out to show that he’s the best and a goodly kid just having a fun day.
Pocket Monsters
I had seen this game played out across several Slots, progressively earning more points and jockeying for the top position. After a bit of back-and-forth, these two used all of their actions to discard their hands and remove all but the last Slot in a show of ultimate cockiness. Without a hand, these would-be-champions could only top-deck a card for the last slot. Wiry Guy was mocking and trash talking while Happy-gamer was quite and sure. They both played the top card from their decks. . .
And the store errupted! People were cheering for Happy-Gamer and clapping him on the back while others oooooh’ed at Wiry Guy’s epic loss. I couldn’t help but feel excited for Happy-Gamer. At the same time I was dumbfounded by the joy that filled this little building.
That was a great game. I should definitely make. . .
And I woke up.
*To read the rest of this story, click part one or part three.